VIDEOCLIP AND THEATRE PROJECTIONS
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Alicia en un món real (theatre play) / Spain / 2024 / HD / Original version: Catalan
For the videoclip
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Direction, script: Carme Puche Moré
Editing: Fatima Kamaso, Carme Puche Moré
Music: Mireia Tejero and Rai Jiménez
Cinematographer/Color: Sergio Álvarez-Napagao
Art: Sergi Corbera
Director assistant: Gabriela Sánchez Momblant
Gaffer: Javier Rueda
Electric: Albert Alemany, Sergi Cerdán
Production asssitant: Nuna Ibernón
Costume design: Mariel Soria
Make up: Fafá Franco
Graphic design: Chus Gómez.
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With Sílvia Sabater, Roser Batalla, Blanca Pàmpols, Susana Egea, Mireia Tejero.
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For the theatre projections
Direction/editing: Carme Puche Moré
Cinematographer/Color: Sergio Álvarez-Napagao
Director assistant: Gabriela Sánchez Momblant
Gaffer: Javier Rueda
Swimming pool set support: Lucía Losarios, Poncesuport
Aquatic camera and support: Urtus Albert Rovira
With the amazing brave bodies and souls of Silvia Pimenta, Isabel Franc, Silvia SabaterAlicia
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About the play:
A project of the Cia. La Briana
Directed by Teresa Urroz
Adaptation and dramaturgy
Isabel Franc and Teresa Urroz
A co-production
Cia. La Briana, Magrana Escena, Raül Perales, Teatre Nacional de Catalunya
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Video still not available online.
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Alicia in the real world
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The creation of visuals for theater is a fascinating world, where what we encapsulate in cinema takes on a different life on stage. Here, the two languages coexist: a video clip that opens the play and audiovisuals that take shape on the walls of the scenography. A beautiful job that I did together with the director of the show, Teresa Urroz, and with the support of the team from the National Theater of Catalonia.
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This project allows me to delve even deeper into the world of underwater filming, this time in a luxurious space, the pool-studio of In-Extremis, one of the few in Europe offering this service which, in their case, provides both technical possibilities and artistic sensitivity from their entire team. A fascinating journey through the story of an Alice who doesn't fall into Wonderland, but into the profound reality of cancer and all the reflections that arise from it.
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Water becomes the backbone of this piece, both visually and conceptually. Fluidity, transparency, and immersion transform into powerful metaphors for the cancer process: the feeling of drowning in the diagnosis, the need to float amidst uncertainty, and finally, the liberation that comes with acceptance. The aquatic visuals, organically integrated with the scenography, manage to transport the spectator to this liminal space between reality and abstraction, making tangible the emotional experience of the characters. A work where each drop, each ripple, each movement underwater speaks of a universal human truth: our fragility and our strength in the face of adversity.
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